“. . . It is indeed sad that a person with such incredible talent has put away his camera after only seven years working as a photojournalist. As a genius photojournalist- with the only lesson having been in 1959 to visit the legendary Steichens entitled “The Family of Man” – Soulas had a sense of watchfulness, quick perception and socio-critical awareness, but above all, an irrefutable intuition for the precise tenth of a second. He has, therefore, the best qualifications for a profession into which he entered in such an ordinary way. . .”

Brita Sachs